I Wanna Dance With Somebody (2022)
On this project, Zach was assigned as the VFX Producer at ZERO VFX. More information to come upon the release of the film.
Star Trek: Strange New Worlds (2022)
On this project, Zach was the Associate VFX Producer for season one while at Crafty Apes VFX. More information to come upon the release of the first season.
Winning Time: The Rise of the Lakers Dynasty (2022)
On this project, Zach was assigned as the VFX Production Manager at Pixomondo for the first half of season one. More information to come upon the release of the first season.
Star Trek: Picard | Season I & II (2022)
SEASON TWO:
On this project, Zach was the Associate VFX Producer while at Crafty Apes VFX. More information to come upon the release of this season.
SEASON ONE:
For season one Zach was assigned as the primary coordinator and his tasks on the project were as follows; project setup, tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. During post-production, he was the main point of contact for the client and set up/ran all Cinesync sessions. He was also responsible for tracking and distributing all graphics and assets to artists on the project. Lastly, Zach handled the majority of I/O-related tasks and deliveries of VFX work to the client via various file transfer services.
The Cleaning Lady | Season I (2022)
On this project, Zach was the Associate VFX Producer for Crafty Apes VFX for the first half of season one. More information to come upon the series premiere.
Cry Macho (2021)
On this project, Zach was assigned as the Associate VFX Producer. More information to come upon the release of this film.
The Starling (2021)
On this project, Zach was assigned as the primary VFX Coordinator. More information to come upon the release of this film.
The Flash | Season VII (2021)
For The Flash, Zach was assigned as the Associate VFX Producer for episode eleven for Crafty Apes VFX and his tasks on the project were as follows; bidding, financial reporting, shot tasking, tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. Additionally, he was the main point of contact for the client and set up/ran all Cinesync sessions. Lastly, Zach handled the majority of I/O related tasks and deliveries of VFX work to the client via various file transfer services.
Roswell: New Mexico | Season III (2021)
On this project, Zach was assigned as the Associate VFX Producer. More information to come upon the release of the season three finale.
Zola (2021)
For Zola, Zach was assigned as the primary VFX Coordinator and his tasks on the project were as follows; project setup, tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. Additionally, he was the main point of contact for the client and set up/ran all Cinesync sessions. Lastly, Zach handled the majority of I/O-related tasks and deliveries of VFX work to the client via various file transfer services.
Orville | Season III (2021)
On this project, I was the Co-VFX Coordinator for Crafty Apes VFX for episodes; one, two, and three. More information to come after the series premieres.
The Little Things (2021)
On this project, I was tasked as the primary VFX Coordinator for Crafty Apes VFX. More information to come after the film premieres.
